High-profile graphic composition style

With modest style deliberately plain indifference, composition, is relative to the other extreme is a high-profile graphic style. It with a low profile graphic style, however, the difference only lies in its rich graphics, rather than a concept. High-profile graphic style no declaration, just likes excitement, surprise and energy. From this perspective, it is only accepted the classical equilibrium composition of ideas and skills and further development. The subtext of this is that if you like the canvas prints images of the dynamic balance, then you might like the extremely high composition.

Therefore, behind the new genre low-key graphic style such as geomorphology is a concept of postmodern, often with irony, and high-profile graphic style, is more focused on the composition of practicality and the limit of the geometry, color and so on exactly how far you can push. These two styles have in common is to want to out of mediocrity. High-profile graphic style in the history of photography in the near future will often appear it is the main characteristic of images of the graphics will be dominant. Often before you understand the photo subjects (even if only for an instant) these features will be noticed.

Post-processing can exaggerate graphics, first is to add black and white contrast, the second is the changing and add color. This step is shifting from the traditional darkroom after a big leap to omnipotent computer. It is hard to find out in a completely free digital color world, is the location of the photography, not to mention only the canvas prints images of graphic elements can make the rational processing, and photographers to the use of the software is also varied.

Emphasis on graphic element is one of the most reliable ways to increase the edges and corners, because the diagonal can be embodied energy, movement and direction. There are several kinds of specific skills, including ultra wide Angle lens we just discussed. This is not just because the broader perspective can be exaggerated geometry, and shooting Angle also can exaggerate the close and distant objects. If objects closer to the film, especially when the object has the strong linear structure, such as straight and clear shape, the focal length of the ultra wide Angle will exaggerate linear perspective. For traditional photography this is hopelessly distorted, but for people like strong graphic sense, this is the excitement and energy, and there are some unusual. With this effect to the maximum extent, try a variety of camera position, especially that stranger, such as from below or above.

Adjust the camera Angle, pitch shot or inclined, is the introduction of diagonal another standard techniques. Whatever the focal length, it can play a role, but its effects when using ultra wide Angle lens will be very shocked. A small aperture and ideal depth of field will make line more clear, to strengthen the effect. Break the canvas prints picture frame and also the effect of the diagonal.