Guide readers' vision in photos

Photography is a visual language. In a good photo, canvas prints the eye of the reader must be focused on the subject and the point of interest, rather than on other things that have nothing to do with the subject. In today's tutorial, Thomas will go into great detail about what photographers have to do to guide the reader's vision in photographs.

Contrast to guide

In life, people and things stand out. Also in photographic works, canvas prints online those elements that have obvious contrast with other areas of the picture will attract special attention from readers. A work of overall dark tone, the bright place in the picture appears particularly prominent. The bright objects in the darkening photo are more prominent. Similarly, a work of overall bright tone, the finishing point is the dark object in the picture. For example, in the following high brightness snowfield photo, the most eye-catching image is that of the three people with low brightness. In addition to the contrast between light and dark, there is another important contrast hidden in this photo, that is, the contrast between man and nature. Thousands of years of evolution of natural selection, so that humans have trained a pair of, identify the nature of living things fire eyes. A photo of someone in the picture will attract a lot of attention through the contrast between man and nature.

In addition to bright and dark, there is a brightness attribute called contrast. In a work with low overall contrast, those high contrast places are the focus of the reader. All the attributes that can form contrast can be used to guide the viewer's vision and play the role of highlighting the main body and making the finishing point. For example, in the picture below, the warm and yellow light in the street and the blue and cold tone in the rainy evening form a sharp contrast, which catches the eyes of readers and makes the picture more expressive.

A common mistake for newbie’s in photography is that the whole picture is high sharpness, high definition, her-like and full of details. A photo full of details is no detail, as these details clash with each other, competing for the reader's precious attention. A good work often strengthens the clear texture of interest points and weakens the detailed texture of other areas of the picture.

For example, in the picture below, only the clouds and rocks are illuminated by light. I have made a lot of texture highlights and sharpening of details. In other places, I have kept still and even reduced the clarity and contrast. The reader's gaze naturally focuses on the most detailed part of the rock.

Lead line

The reader's line of sight will habitually move along the lines in the picture. Therefore, if we can shoot some natural lines in the early scene, or artificially strengthen some lines in the post-processing, we can point to our main body. These lines will be excellent guides. Natural trails, rivers, vegetation and other lines are excellent guides. In the image below, polar AX photographer she yanking USES rocks as a natural guide line. In addition to the obvious lines, the guide line can also be the implicit guiding relationship. The light, the eyes, the direction of the fingers and so on.

Although the light is not an obvious line, but also has a strong guiding ability. In a photo with a light source, those parts that are illuminated by light receive extra attention from the reader. The picture frame is everywhere in the nature, we need to find and find it by heart.

Comprehensive guide

A good work with clear subject and prominent interest points will often use the above mentioned guiding techniques simultaneously. In the above work, quality acrylic prints the frame composition, as well as the contrast between light and dark and between cold and warm, makes the distance look small. In a word, the reasonable application of contrast, guide line and frame composition to guide readers' vision to the point of interest in photos will make our photography works more excellent.